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Author Justin Spring |
To hear inintroduction, click on screen.

FREE PDF:
SOULSPEAK: The Outward Journey of the Soul
AMAZON KINDLE OR SOFT COVER:
SOULSPEAK: The Outward Journey of the Soul
Here is a book that really explains not only the origins of poetry, but how today we can again create poetry as a form of the soul speaking. Justin Spring is passionate and compelling in his pursuit of this pure poetry, what he calls the outward journey of the soul. And in his text he teaches all of us how to speak from a deeper place,letting the unconscious, or the soul, rise up into language and art.
Victoria Sullivan, poet, playwright, editor of PLAYS BY AND ABOUT WOMEN
In an age in which so much of what people say is social gambit, political rhetoric, make talk cliché, I applaud Justin Spring’s powerful technique for returning us to what is truly important, a language that means something, and that echoes vertically as well as sending out ripples horizontally; that is to say, it combines communication with a reference to the soul and the realm of the invisibles. It is a language that you could never be ashamed of having spoken....They are the glittering mantle in which the soul likes to wrap itself.
SOULSPEAK hovers between the realms of the Shaman’s magic and the priest’s incantation, the artist’s stroke, and the philosopher’s insight. Poetry is a calculus of the emotions, and if the poem is designed for immortality, also a calculus of the spirit. It describes a curve, An acceleration of realization, an epiphany; in short, the movements of the soul.
I advise you to work with this book..... try the exercises, sense the vast imponderable soul-animal Spring invokes for us, lying beneath us. Think that God is hovering nearby, just waiting to borrow your voice.
I advise you to work with this book..... try the exercises, sense the vast imponderable soul-animal Spring invokes for us, lying beneath us. Think that God is hovering nearby, just waiting to borrow your voice.
Dr. Stephen Larsen, Professor Emeritus SUNY, co-author
of FIRE IN THE MIND: LIFE OF JOSEPH CAMPBELL.
HERE IS A GUIDE TO WHAT THE BOOK CONTAINS:

is made up of two sections:
Section One: Parts I -IV
Section Two: Part V
PARTS I-IV ARE SPECIALIZED, AND CONTAIN THE BACKGROUND OF SOULSPEAK, A CONTEMPORARY FORM OF EARLY ORAL POETRY, AS WELL AS INSTRUCTIONS ON HOW TO CREATE IT.
Here are the topics covered in Parts I-IV
Part I ~ Background and History
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Chapter 1 Speaking to the Gods
Chapter 2 Accepting Tribal Art
Chapter 3 The Vocabulary of Tribal Art
Chapter
4 The Soul’s Stories
Chapter
5 The Effect of Writing on
Consciousness
Chapter 6 Preliterate
Poetry⎯A Primer
Chapter 7 SOULSPEAK as a Participatory Art
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Chapter 8
The Communal Nature of SOULSPEAK
Chapter 9 SOULSPEAK as a Journey
Chapter 10
My Own Journey Continues
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Part III ~ Creating a Speaking |
Chapter 11 Creating a Speaking
Chapter 12 Some
Additional Tips on Speaking
Chapter 13 Speaking and Responding
Chapter 14
Expanding SOULSPEAK
Chapter 15 Other SOULSPEAK Catalysts
Chapter 16 SOULSPEAK as an Aid to Writing Poetry
Part IV ~ Some Final Thoughts on SOULSPEAK |
Chapter 17 Some Final Thoughts on SOULSPEAK
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SOME ADDITIONAL VIDEO RESOURCES FOR PARTS 1, 2,3, 4
Above are some examples of SOULSPEAK being used as a soundtrack for video versions of SOULSPEAK called Dreamstories.
Here is a Player with many variations of SOULSPEAK.
You can download any of the selections for FREE, by clicking here:
MANY VOICES OF SOULSPEAK
You can download any of the selections for FREE, by clicking here:
MANY VOICES OF SOULSPEAK
PART V

THE RELATIONSHIP OF WRITTEN POETRY TO PRELITERATE ORAL POETRY IS DISCUSSED IN DEPTH.
THERE IS ALSO AN EXAMINATION OF THE VARIOUS FORMS OF CONTEMPORARY SPOKEN POETRY.
Here are the topics covered in Part V
Chapter 18 The State of Contemporary Poetry
Chapter 19 What Oral Poetry Brings to the Table
Chapter 20 We Have Mistaken the Totem for the God
Chapter 21 The Encroaching Sea of Orality
Chapter 22 Oral Poetry: Common and UncommonSpeech
Chapter 23 The Transition from Oral to Written Poetry
Chapter 24 A Brief History of Oral and Written Poetry
Chapter 25 The Form of Oral Poetry
Chapter 26 The Difference Between Oral and Written Composition
Chapter 27 Let’s Pretend You’re an Epic Poet
Chapter 28 Oral Poetry as a Galapagos of Poetry
Chapter 29 Rap and Slam Poetry
Chapter 30 Performance and Music in Poetry
Chapter 31 Using Rap and Homer to Convince the Skeptical
js201g@comcast.net ss1
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